The Exquisite Risk of Letting the Dark Do Its Work
There is a photograph I have carried in my memory for decades — not one taken on film, but one pressed into the body the way cold presses into bone. It is a winter morning in Detroit, still dark at six a.m., and I am standing at the kitchen window watching my mother mix paint in the silence before the house woke up. She wasn’t sad. She wasn’t lost. She was in that rare place artists sometimes go — a place that looks like emptiness from the outside but is, from the inside, a particular kind of waiting. A necessary hollow. I didn’t have words for it then. I do now.
The mystics called it la noche oscura — the dark night of the soul.
When the Ground Falls Away
Most of us arrive at the dark night not by choice but by collapse. Something that once held meaning — a career, a faith practice, a sense of self, a relationship — gives way beneath us. The fall is disorienting precisely because we didn’t see it coming, and because the things we reach for on the way down don’t hold.
This is not ordinary sadness. It is not burnout, though it can look like it. It is not clinical depression, though it can travel alongside it, and if it is significantly impairing your daily life or generating thoughts of self-harm, please reach out to a licensed professional — that is not weakness, it is wisdom.
What distinguishes the dark night is its spiritual texture: the loss isn’t just of energy or motivation but of meaning itself. Things that once lit you up feel hollow. Your spiritual practices go silent. You withdraw. You wonder, quietly or loudly, whether you have lost God, or whether God was ever there at all.
St. John of the Cross — a sixteenth-century Spanish mystic who wrote from inside a prison cell no larger than a closet, where he had been confined by the very religious order he was trying to reform — would say: you are exactly where you need to be.
That is hard to hear in the dark. It was for me.
The Poem That Knows the Way
What John wrote in that cell was not a lament. It was, against all reason, a love poem.
“Dark Night of the Soul” — in Mirabai Starr’s luminous translation opens not in despair but in secret motion. The soul slips out of the house while everything is still. She travels in darkness, not despite the darkness but through it, guided not by any external lamp but by something burning in her own chest.
No other light, no other guide Than the one burning in my heart. — St. John of the Cross, trans. Mirabai Starr
This is the paradox the dark night holds: what feels like abandonment is, in John’s vision, a form of being led. The stripping away of every consolation — every spiritual feeling, every certainty, every framework that once made sense — is not punishment. It is preparation. The soul is being emptied so that something truer can fill it.
The poem ends not in the darkness but in a garden. In rest. In transformation. Lover transformed in Beloved.
John doesn’t promise the journey will be short. He doesn’t promise it won’t hurt. He promises it goes somewhere.
What Emotional Intelligence Has to Do with It
Here is where the contemplative tradition and emotional intelligence meet in a way I find profound: both ask us to stay present with what is, rather than immediately managing it away.
One of the core competencies in the Six Seconds model of EQ is what we call Feel Your Feelings — the capacity to move toward your inner experience rather than away from it. Not to be consumed by it. Not to perform it. But to let it be what it is, without premature resolution.
The dark night, spiritually understood, asks for the same posture. It resists the fixes we reach for — the productivity systems, the five-step frameworks, the urgent need to locate the lesson and extract it. Those impulses are understandable. They are also, in the dark night, exactly what is being dismantled.
What the dark night wants from you is not your solutions. It wants your surrender.
And surrender — in the contemplative sense — is not passivity. It is a particular kind of courage: the willingness to stop managing the mystery and begin inhabiting it.

Five Things to Do When You Are in the Dark
I want to offer not a ladder out but a way of being in. These are not performance targets. They are invitations.
Stay close to your body. The dark night is disorienting in the mind, but the body often knows more than we credit it with. Walk. Sit with your back against something solid. Pay attention to what you can smell, hear, feel. The Incarnation — God taking on a body — is itself a theological argument that matter matters. You are allowed to be a creature.
Release the spiritual performance. If your prayer feels empty, don’t force it into the shape it used to have. John wrote from inside a prison cell with nothing but scraps of cloth and the words forming in him in the dark. The form of devotion may need to change entirely. Let it.
Find one trustworthy companion. Not someone who will rush you to resolution, but someone who can sit in the not-knowing with you. A spiritual director. A therapist. A friend formed in contemplative patience. The dark night is not meant to be survived alone, even when it demands solitude.
Practice lectio divina with the darkness itself. What if you read the darkness the way monastics read scripture — slowly, with openness, asking not what does this mean but what is this forming in me? The dark night, John insists, is doing something. You may not be able to name it yet. That is alright.
Trust the heart that burns inside. Even when you cannot feel it. Even when the candle seems to have gone out. John’s soul travels the whole dark journey guided by what is burning inside her chest — not what she can see, not what makes rational sense, but what is alive in her. There is something in you that has not gone out. It may be very quiet. Tend it like an ember.
What the Darkness Already Knows Reflection Guide
What the Darkness Already Knows
My mother would finish her mixing before the sun came up, and then she would begin. I used to think the dark hours were the waiting. I understand now they were the work.
The dark night of the soul is not a detour from the spiritual life. For John of the Cross, for Meister Eckhart, for Howard Thurman writing from the underside of suffering, for Julian of Norwich holding her visions in the midst of plague — the darkness has always been the passage. Not the destination. But not the obstacle either.
It is, to borrow Mirabai Starr’s phrase, an exquisite risk.
And if you are in it right now — if the house has gone still and everything you reached for is no longer where you left it — you are not broken. You are, perhaps, being made.
The night that joins the lover with the Beloved does not announce itself. It simply comes. And it leads.
St. John of the Cross, Dark Night of the Soul, translated by Mirabai Starr, Riverhead Books, 2002 —
If this found you in a threshold season, we’d be honored to walk alongside you — explore spirit of EQ’s community on Substack or join us in our Mighty Networks space for ongoing conversation.
Peace and every good.





